
Small (Simple) versus Big (Complex)
In R.BIRD’s quarter-century, we’ve worked for clients large and small (1 to 300,000) on projects simple and complex.
Trend
In the last 18 months, the most rewarding projects at R.BIRD have come from “Small” companies with complex problems. The least rewarding projects at R.BIRD have come from “Big” companies with simple problems.
Rewarding?
I define “Rewarding” as: first) profitable (above all else, we seek survival), and second) creatively challenging… as in “love” for what we do. No matter, If it’s not profitable, it will not be rewarding.
Small, Big, Simple, Complex, Profitable, Rewarding
Where do you see the balance?

Small (Simple) versus Big (Complex)
In R.BIRD’s quarter-century, we’ve worked for clients large and small (1 to 300,000) on projects simple and complex.
Trend
In the last 18 months, the most rewarding projects at R.BIRD have come from “Small” companies with complex problems. The least rewarding projects at R.BIRD have come from “Big” companies with simple problems.
Rewarding?
I define “Rewarding” as: first) profitable (above all else, we seek survival), and second) creatively challenging… as in “love” for what we do. No matter, If it’s not profitable, it will not be rewarding.
Small, Big, Simple, Complex, Profitable, Rewarding
Where do you see the balance?

Small (Simple) versus Big (Complex)
In R.BIRD's quarter-century, we've worked for clients large and small (1 to 300,000) on projects simple and complex.
Trend
In the last 18 months, the most rewarding projects at R.BIRD have come from "Small" companies with complex problems. The least rewarding projects at R.BIRD have come from "Big" companies with simple problems.
Rewarding?
I define "Rewarding" as: first) profitable (above all else, we seek survival), and second) creatively challenging... as in "love" for what we do. No matter, If it's not profitable, it will not be rewarding.
Small, Big, Simple, Complex, Profitable, Rewarding
Where do you see the balance?


Vancouver 2010 animation and transportation vehicles and posters
This was his submission for The 2010 Winter Olympics Logo Design Competition.

Hillman Curtis includes Paula Scher in his Artist Series of mini-documentaries made for the web. I really like these. They’re just the right length and present a nice, well-balanced impression.
Scher recounts how she sketched out the new Citi logo on a napkin in “one second” during an early client meeting. It’s quite a believable story, since I’ve shared the experience. Often, there’s a glimpse of a solution or an outright, clear vision during early client briefings or informal chats. Sometimes, I’ve done the same thing… sketched the answer out right then and there “in a second” on whatever’s handy.
Paula’s right, too, to add her 34 years of experience to the one second to yield the real time invested for such revelations to be enabled.
All that being said, I feel the Citi logo shown above is really not such an extraordinary leap, but a rather obvious evolution. And I’m somewhat disappointed because, in my mind, the merged rendering has casually reduced what was once an icon of the insurance industry (among few others, a group that includes Prudential’s “rock”?) to an oversimplified, concrete arc pasted over a cold and unemotional logotype. I’ll admit that I’ve never really been fond of Citicorp Identity to begin with.
Being naturally curious, I was compelled to dive deeper into the mark’s predecessors.
So, Citi sucks in Travelers usurping its trademark in the process as we’ve seen. Not too long afterwards, Citi spins Travelers back out… now stripped of its signature umbrella and its equity of immeasurable worth.
Finding itself in need of a new identity, Travelers, astoundingly turns the dilemma into an employee competition:
About 700 employees out of the company’s 20,000 participated in the contest and more than 1,700 ideas were generated. Once their ideas were submitted, senior management reviewed the ideas and chose 26 that were possible logo ideas. Then they brought in focus groups to help them narrow it down to three that would best express the company. The final logo, a red ellipse surrounding the company’s name, was a combination of all three winners’ ideas.
“A combination of all three winners’ ideas.”? I love that.
If not already battered and beaten enough, the very next year Travelers merges with St. Paul to form St. Paul Travelers.
-


Hillman Curtis includes Paula Scher in his Artist Series of mini-documentaries made for the web. I really like these. They’re just the right length and present a nice, well-balanced impression.
Scher recounts how she sketched out the new Citi logo on a napkin in “one second” during an early client meeting. It’s quite a believable story, since I’ve shared the experience. Often, there’s a glimpse of a solution or an outright, clear vision during early client briefings or informal chats. Sometimes, I’ve done the same thing… sketched the answer out right then and there “in a second” on whatever’s handy.
Paula’s right, too, to add her 34 years of experience to the one second to yield the real time invested for such revelations to be enabled.
All that being said, I feel the Citi logo shown above is really not such an extraordinary leap, but a rather obvious evolution. And I’m somewhat disappointed because, in my mind, the merged rendering has casually reduced what was once an icon of the insurance industry (among few others, a group that includes Prudential’s “rock”?) to an oversimplified, concrete arc pasted over a cold and unemotional logotype. I’ll admit that I’ve never really been fond of Citicorp Identity to begin with.
Being naturally curious, I was compelled to dive deeper into the mark’s predecessors.
So, Citi sucks in Travelers usurping its trademark in the process as we’ve seen. Not too long afterwards, Citi spins Travelers back out… now stripped of its signature umbrella and its equity of immeasurable worth.
Finding itself in need of a new identity, Travelers, astoundingly turns the dilemma into an employee competition:
About 700 employees out of the company’s 20,000 participated in the contest and more than 1,700 ideas were generated. Once their ideas were submitted, senior management reviewed the ideas and chose 26 that were possible logo ideas. Then they brought in focus groups to help them narrow it down to three that would best express the company. The final logo, a red ellipse surrounding the company’s name, was a combination of all three winners’ ideas.
“A combination of all three winners’ ideas.”? I love that.
If not already battered and beaten enough, the very next year Travelers merges with St. Paul to form St. Paul Travelers.
-
